That female director (herself daughter of another) who devoted her work most deeply of all her peers to those at society’s margins and to the development of an experimental counter-poetry, here breaking through the everyday work routine of a weaving factory with baby screams. An acutely “reluctant feminism”, which Ewa Mazierska represented in spades.
That female director (herself daughter of another) who devoted her work most deeply of all her peers to those at society’s margins and to the development of an experimental counter-poetry, here breaking through the everyday work routine of a weaving factory with baby screams. An acutely “reluctant feminism”, which Ewa Mazierska represented in spades.
