Sándor Sára’s look behind the headlines, which scream “social integration” and mean “the others”, turns vectors upside down: there’s room for Roma culture between Mayakovsky and Petöfi, as reality and longing.
Sándor Sára’s look behind the headlines, which scream “social integration” and mean “the others”, turns vectors upside down: there’s room for Roma culture between Mayakovsky and Petöfi, as reality and longing.
