DOUBLE FEATURE
After exploring the neighbourhood the camera begins to zoom in on the bus stop serving a small village. Repeated pans survey the faces of the people waiting, as if they are caught in some infinite loop. Topics of conversation are things like alcoholism and domestic violence, illnesses and the Chechen war. An everyday situation, staged in such a way that an audio-visual landscape of faces and dialogues spreads out before the viewers’ eyes. Then the struggle to get a seat on the bus. While many of his works contain no dialogue, Loznitsa makes unusually intensive use of the human voice in this, his first, colour film.
DOUBLE FEATURE
After exploring the neighbourhood the camera begins to zoom in on the bus stop serving a small village. Repeated pans survey the faces of the people waiting, as if they are caught in some infinite loop. Topics of conversation are things like alcoholism and domestic violence, illnesses and the Chechen war. An everyday situation, staged in such a way that an audio-visual landscape of faces and dialogues spreads out before the viewers’ eyes. Then the struggle to get a seat on the bus. While many of his works contain no dialogue, Loznitsa makes unusually intensive use of the human voice in this, his first, colour film.