In search of her childhood memories associated with the violent times of Russia's war in Chechnya, Vladlena
returns to Grozny. Furtively, she films the portraits of contemporary Russian and Chechnyan dictators
that adorn every facade in town. Combined with propaganda material from the archives and her own commentary, Vladlena Sandu creates a hyper-realistic grotesque that captivates the viewer, both through its absurdity and its hideousness.
In search of her childhood memories associated with the violent times of Russia's war in Chechnya, Vladlena
returns to Grozny. Furtively, she films the portraits of contemporary Russian and Chechnyan dictators
that adorn every facade in town. Combined with propaganda material from the archives and her own commentary, Vladlena Sandu creates a hyper-realistic grotesque that captivates the viewer, both through its absurdity and its hideousness.