The director talks about her two months of experience abroad in a state of two realities. Her documentary essay interacts with two landscapes in the same space, also using archival family photos of the artist and texts written in the first weeks of the war. One landscape is absorbed into another, but it is difficult to understand what kind of landscape this act carries out.
The director talks about her two months of experience abroad in a state of two realities. Her documentary essay interacts with two landscapes in the same space, also using archival family photos of the artist and texts written in the first weeks of the war. One landscape is absorbed into another, but it is difficult to understand what kind of landscape this act carries out.
