SCUSA SIGNORINA
Beyond Belonging
One man playing with the limits of cinema. Pansini creates antifilm by strapping a camera on his back, pointing it in the opposite direction, and navigating the Zagreb city streets, inscribing images through a mise en scène of chance. The film seems to ask if the loss of authorial control can invite gains in proximity to those around you.
One man playing with the limits of cinema. Pansini creates antifilm by strapping a camera on his back, pointing it in the opposite direction, and navigating the Zagreb city streets, inscribing images through a mise en scène of chance. The film seems to ask if the loss of authorial control can invite gains in proximity to those around you.
